Tuesday, March 29, 2011

THE END OF THE VOICE PARADE AND CONCLUSION

 

 

Major Soprano Roles in Opera

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Major Mezzo-Soprano Roles in opera

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Contralto roles in opera

True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them. Contraltos sometimes are assigned feminine roles like Angelina in La Cenerentola, Rosina in The Barber of Seville, and Olga in Eugene Onegin, but more frequently they play female villains or assume trouser roles originally written for castrati. A common saying among contraltos is that they may play only "witches, bitches, or britches."[5]
Examples of contralto roles in the standard operatic repertoire include the following:[5].

Male Soprano, Countertenor, Falsetto, and Treble Roles

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Major Tenor roles in opera

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Baritone roles in opera

 

 

Bass roles in opera

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END OF CONSTRUCTION

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